When I started to watch The Devil’s Own (1966), another movie I DVR’d in October, I was delighted to find that it was from Hammer Studios. I love Hammer movies!
Unfortunately, this one did not entertain me as much as, for example. Frankenstein Created Woman. I think I like monsters better than voodoo curses and devil worshipers. But that’s just me.
Spoiler Alert! This is another write-up where I’m pretty much going to recount the plot. What can I say? These are fun for me to write.
The movie starts out scarily enough with Joan Fontaine frantically packing to leave an African village before… something happens. The natives helping her sensibly flee in terror. She turns around and sees a scary voodoo doll. OK, I cracked up a little at the doll.
Then the door bursts open and a giant mask comes through. You can’t even tell if there’s really a person behind it, so I can see where that would be a little disconcerting. Fontaine screams and collapses.
I thought at first she was about to get killed and that I had been mistaken in thinking it was Joan Fontaine. However, the next scene finds her, some time later, in England interviewing to be a headmistress at a school. With a nervous smile, she glosses over her “health problems,” by which we surmise she had some sort of nervous breakdown in Africa. Or something. Of course she gets the job; we knew that from the description on digital cable.
And then the movie slows right down. Oh, stuff happens. But it’s your basic human interaction kind of plot. This weird girl is being romanced by a boy, to the distress of her grandmother. Other villagers seem concerned as well, so there’s a bit of creepy foreshadowing.
About the time the boy falls victim to a voodoo curse (which we, the audience immediately recognize) (some characters are slower on the uptake, despite the headless Ken doll found on a tree branch), I made the note that I prefer monsters. After that, things get a little more exciting. Spoiler alert notwithstanding, I don’t want to give everything away.
It really was not a bad movie. When things got a little slow for my tastes, I amused myself by studying Joan Fontaine’s face, looking for a family resemblance with Olivia de Havilland. I think it’s there, especially in certain expressions, but I’ll have to watch Hush… Hush… Sweet Charlotte again to be sure.
The climactic scenes are scary or comical, depending on how you feel about devil worshipers writhing in a dance of… something or other. It gets suspenseful, although anybody paying any attention (even my desultory kind), knows how Fontaine can ultimately triumph. Oh dear, did I just give something else away? Sorry.
I enjoyed the movie. And I got a bit of crocheting done, which is important to me this time of year. But for my next Hammer film, I’m hoping for a monster.