RSS Feed

Category Archives: community theatre

Post Performance Post

Wouldn’t it be cool if our set  looked like this?

Last Saturday, I meant to act and type (as opposed to drinking and typing), but that did not work out (don’t judge me).  This Saturday, I just got back home from, you guessed it, acting, and here I sit typing (and drinking as well, once again, don’t judge). Therefore I continue my theme of All Tempest All The Time with a few words and pictures.

We had our first of two performances at Sterzinar Park, Canal Place, Little Falls.  We were part of the Little Falls Canal Days Celebration.  Chicks Along the Canal were in the park with all kinds of vendors, craftspeople and artists.  I did not get a chance to walk around the booths, but it seemed there was a lot of good stuff.  Surprisingly, the weather cooperated.  There was a little rain before we started.  Then it seemed there might be a downpour during the last scene.  The wind blew some set pieces around.  However, we dealt with all problems and got through the whole play.

I think the audience was very pleased.  At least, they kept clapping through the entire curtain call, which I think goes on for kind of a long time (then again, once I’ve said all my lines I confess I’m a little anxious to get on to wine time).  Alas that I have no picture of today’s performance.  However, a trip to LiFT Theatre Company’s Facebook page showed me several good ones from last Saturday’s performance in Caroga Lake (full disclosure:  this might be from our dress rehearsal the night before that performance, but I think it will work just as well).

I’m the one in the orange tights.

Naturally I had to include a picture with me in it.  This is what I refer to as my big scene, because I have a few sizable speeches (not as long as some actors have, but they gave me a little trouble learning).  It is also the scene where I get made fun of, but you’ll have that when you play a garrulous old man.

I’m wondering if the teeth glow in the dark.

This is a shot taken when we were still searching for costumes.  I get to wear one of these masks in one scene.  I must confess I’m not too nuts about it, because it squishes my nose down and it is difficult to see through the eye-holes, even when I wear contact lenses.  Still, it is fun to be a wolf.

We have another performance at Sterzinar Park tomorrow at 3 p.m. Then we are at the Utica Zoo next Saturday and at the Herkimer Elks Lodge Sept. 1.  For more information, visit the LiFT Facebook page.

 

 

The Tempest Revealed

Cast photo taken after our dress rehearsal on Caroga Lake

You see, I was thinking that not everybody is like me.  I like to go see a play or movie tabula rasa, as it were, a blank slate (I learned that phrase in high school).  That is, not really knowing anything about it.  Sometimes that renders my decision of whether to watch something or not difficult, but that’s my problem.  It occurred to me that especially with something like Shakespeare, some people might prefer a little hint as to what is going on.  Since I enjoy so much writing about my old movies, I decided to attempt something of that nature for the latest play I am in.

Spoiler Alert!  I am going to recount the entire plot of The Tempest by William Shakespeare, as far as I know it.

Full disclosure:  I’ve only read the play all the way through once, and I don’t pay a great deal of attention to the scenes I’m not in.  In my defense, during rehearsals I am usually rehearsing my scenes with other cast members or studying my lines.  But I think I can give you the gist of things.  If you are still confused, go read the script yourself.  It is readily available in your local library or even online.

The Tempest opens on the deck of a ship which has run into the titular storm.  We have a great thunder sound maker as well as a bass drum, and we all do the Star Trek thing of swaying back and forth to indicate the rocking of the ship.  A couple of sailors run around trying to bail out the water.  It might have been nice to have stage hands sloshing real water onto the stage by the bucketful, or that may have been a little too much realism.  Squirt guns and water balloons were suggested but rejected, which I suppose is just as well, especially since our costumes are not of fast-drying material.

The ship is carrying the king and some nobles, and it is about to sink.  I’m sure the audience will gather that much through our costumes and movements, which is another good thing, because we have a hard time making ourselves heard over the sound effects.  I hope we solve that problem, though, because some of us have some pretty good lines insulting the Boatswain.

Scene two takes place on an island (not alas, the Island of Dr. Moreau) (see previous blog post).  We meet Prospera, the rightful Duchess of Milan, and her daughter Miranda. We learn that years ago, when Miranda was a tot, Prospera’s evil sister Antonia (alas, not an evil twin.  I do love an evil twin, don’t you?) stole the Dukedom and set Prospera and Miranda adrift in a skiff or some such.  Luckily for them, Prospera’s friend Gonzalo (that’s me, by the way) made sure they had supplies, as well as Prospera’s books.  These books have allowed Prospera to perfect her magic powers.  In fact, it was Prospera’s magic that caused the tempest, and Miranda should not worry about anybody being drowned.

Later on in the scene, Miranda takes a nap and we meet Ariel, a magic sprite or something that Prospera rescued and now owns (slavery was a thing in those days, remember). Ariel is promised her freedom, when Prospera is good and ready to give it to her. After Miranda wakes up, we meet Caliban, a son of a witch (really), who is another slave to Prospera.  He’s pretty much a bad hat, repaying kindness with curses among other things.  He thinks the island should be his, as it was his mother’s.  I guess she was quite the evil witch, and there is something in heredity.

Eventually Caliban leaves and Ariel returns with Ferdinand, the son of the King of Naples (who, incidentally, was last seen puking his guts out on the soon-to-sink ship).  Naturally, Ferdinand and Miranda fall in love.  Like I said, I have not paid too much attention to the scenes I’m not in, but it does not take a Shakespearean scholar to guess that was going to happen.

So that’s a long scene, but I finally get to come back on stage, wandering around the island with the King; Antonia, the wrongful Duchess of Milan; Sebastian, the king’s brother (at least, it might be his sister, because a girl plays the part, but I’m being an old man, so it could go either way); and Francisco, who incidentally is played by the same fellow who plays the Boatswain. I hope the audience does not get confused (although I sometimes do, but that’s all right, I’m an old man).  I spend much of this scene trying to cheer up the King, but he is inconsolable because he believes his son is drowned.  We also talk about his daughter Claribel (I always flash on Claribel the Cow when I hear or say the name), because we were returning from her wedding to the King of Tunis.  Antonia and Sebastian spend a lot of the scene making fun of me.

The King, Francisco and I fall asleep, lullabied by Ariel, who is invisible to us.  Antonia and Sebastian stay awake and take the opportunity to plot to murder the King, to take his throne, and me, probably just because I’m annoying.  Ariel returns in time to wake us and foil the plot.

The next scene concerns Caliban, Trinculo and Stephano.  The latter two are servants to the king, but Caliban takes them for gods and and immediately quits working for Prospera to become their slave.  Incidentally, Stephano knows where the wine landed, so they all get drunk, lucky bums.

Then it’s back to Prospera’s cell, where she is making Ferdinand work, much to Miranda’s dismay.  That’s a short scene, then it’s back to the drunken three.  Ariel shows up, invisible (yeah, that’s kind of an oxymoron) (I’m more of a regular moron myself), and makes trouble.  Caliban wants to get Stephano and Trinculo to murder Prospera, and then Stephano can be king of the island.

At last I get to come back on stage, with the other nobles, and we’re all bone tired.  First some weird islanders come on, dance around, and leave us food.  Before we get to eat it, a huge thunderclap renders Francisco and I frozen.  Ariel come in, as a terrifying harpy, and tells off the other three for supplanting Prospera as they did.  They are upset.

Back in Prospera’s cell, Prospera has taken Ferdinand into her good graces and gives him permission to marry Miranda, although she sternly warns him against fooling around before the wedding.  A few of us come out with Ariel and dance for the young lovers.  I get to be one of the dancers, wearing a mask.  After the dance I hurry off stage and switch that mask for a wolf’s mask.  When the others leave the stage, the other wolves and I set up a clothesline with rich garments on it.  Enter Caliban, Stephano and Trinculo.  Caliban has brought them to murder Prospera, but they are distracted by the garments.  Once they have loaded them on Caliban for easy transport, we wolves chase them all offstage.

We’re in the homestretch now.  Prospera does a spell, and the nobles (that’s me, the King, Antonia, Sebastian and Francisco, in case you forgot) are led in by Ariel, under an enchantment.  At last the enchantment is lifted, and Prospera reveals herself.   Wow!  Are we ever surprised!  Of course they give her back her dukedom, no questions asked.  She forgives her rotten sister, largely because it’s the end of the play.  Eventually the King and his son are reunited, the Boatswain shows up to tell us the boat is just fine, and the drunkards Stephano and Trinculo return.

Then we all bow, hopefully to applause, and I get to take off my costume, which, although I think it looks good, is pretty damn warm for a summer play.

 

What’s Wrong with Monsters, Anyways?

He’s an ex-marine.

When in doubt, lead with the picture of the half-clothed muscular guy.  Oh dear, was that sexist and exploitative?  I was just trying to get your attention.  These are more pictures from LiFT Theatre Company’s preview performance of The Tempest last Thursday at Benton’s Landing in Little Falls (see yesterday’s post, if you haven’t already).  The chest-baring dude is our Caliban, a son of a witch (no, really, his mother was a witch; she’s not actually in the play, but they mention her) and kind of a monster (although the guys that call him “Monster” are drunk).

It’s too bad her face is in shadow; I’ll try to get better shot for a future post.

And here is our Ariel, a tricksy spirit who is servant to Prospera, the deposed Duchess of Milan.  I don’t have a great picture of Prospera, but here is a not too awful one of her and her daughter, Miranda.

Don’t worry; she’s nicer to Miranda in other scenes.

 

Antonia is in the foreground; Trinculo is on book.

Trinculo is one of the fellows who calls Caliban “Monster.”  Caliban is apparently not offended by this form of address.  Right now Trinculo is “on book.”  For the uninitiated, that means he is standing by in case an actor forgets a line.  The actor has only to yell, “Line!” and the prompter supplies it.  In the movies, I’ve seen prompters backstage during performances, loudly whispering forgotten lines to hapless actors on stage.  I personally have never been in a play where this was the case.  However, we presented the Preview Performance as a Work on Progress.  Hence, the prompter.

Astute readers may have noticed that I have referred to people by their character names only.  Well, you see, I did not want to take a chance on misspelling anybody’s name, and I do not have ready access to this information.  I know, real bloggers research this sort of thing in advance.  And here we come to the ugly truth about me.  I can’t worry about that now.  I have rehearsal in less than two hours and I haven’t even showered yet.    Additionally, today is Non-Sequitur Thursday.  I’ll just slap a catchy headline on and hope for the best.

Oh crap, now I have to think of a catchy headline.

 

A Few Pics from the Preview

You know, time does not fly JUST when you are having fun.  It flies other times, too.  Not usually at work, of course.  I’m not at work right now (I can’t get online at work, for one reason).  Time flies when you have a limited amount of it and a great number of things you were hoping to get done.  Well, I just won’t get everything done, that’s all.  And I will not make the blog post as long as I had hoped (some people may not find that to be a tragedy, I’m sure).

Today’s post was to have been a cross between Wordless Wednesday and Wuss-out Wednesday.  For one reason, I wanted to share the pictures I took at last week’s preview performance of The Tempest in Little Falls.  However, it seems I have quite a few shots, and my internet keeps going on (bad modem?  lousy router? operator error?).   My new plan (my plans are nothing if not flexible!) is to spread the pictures out over a few posts.  It! Could! Work!

“I don’t always wear pumpkin pants. But when I do, it is for Shakespeare.”

I led with one of my favorite shots.  This is Ferdinand, the son of Alonso, the king of Naples.  He really was posing like The Most Interesting Man in the World.  As a matter of fact, in the play, Miranda finds Ferdinand the most interesting man in the world.  Of course, she does not have much basis for comparison.

This was also described as a pirate outfit.

This is our director.  He also plays one of the sailors in the first scene of the play then goes on to lay Stefano, the king’s drunken butler.  One thing we do in community theatre is multi-task!

They may look nice, but they are up to no good!

These are Antonia and Sebestian.  Antonia has deposed her sister, Prospera, the rightful Duchess of Milan.   They spend a good amount of time in Act II making fun of my character, Gonzalo.

Looking regal and kingly.

And this is Alonso, the King of Naples.

You may have noticed that a number of the names begin with the same letter: Alonso and Antonia (Antonio in the original script).  Sebastian and Stefano.  There is also a Francisco, to get mixed up with Ferdinand.  I couldn’t believe Shakespeare could do such a thing!  When I start to name my characters, I write the alphabet at the top of the page and cross out letters as I use them, just to avoid such confusion.  The fellow who plays Alonso is also a writer. When I remarked about the alliterative names (the one time I do NOT like alliteration), he said, “Yeah, Shakespeare made a rookie mistake.”  I have to love someone who thus off-handedly accuses Shakespeare of a rookie mistake.  Rock on, Alonso!

Ooh, look everybody, I’m over 400 words!  I may have wussed out, but I am far from wordless (really, am I ever wordless?  Those who know me in person will tell you I am NOT).  I hope to see you all on Non-Sequitur Thursday.

 

Preparing for the Preview

Um, our set doesn’t look like this.

Did I mention I might be seguing into All Tempest All The Time sometime soon?  Well, I am once again posting in haste (posthaste, remember?) before hurrying off to rehearsal.  We are rehearsing on Benton’s Landing in Little Falls, NY, instead of our usual Sterzinar Park, because that is where we are having a Preview Performance tomorrow.  Performance tomorrow!  Yikes!

The preview promises to be different from the usual, “Here’s a scene or two, come see the whole show later!”  It is a performance “under construction,” according to the Facebook event.  The audience will witness and perhaps participant in the rehearsal process in “our most immersive preview yet!”

I still have to figure out my costume.  From the waist up, I think I’m set, although I would like a hat.  With a feather.  I think my character would definitely wear a hat with a feather.  From the waist down, well, I’ll think of something to put on that looks halfway period, to be improved upon before actual performances.  Come to think of it,  I was kind of like that for last year’s preview for Much Ado About Nothing, only without the “halfway period.”  I had a terrific top and trusted the audience to ignore my bicycle shorts.  I found suitable pants at the Thrift Store at a later date.

So any local readers who are looking for something to do tomorrow, July 20, stop on down to Benton’s Landing in Little Falls at 6:30 for a preview of The Tempest.  I’ll be there!

 

Some Steel on Scattered Saturday

My plan had been to do the picture thing again.  You know, where I find something good in my downloads and write whatever I can about it?  Then I remembered that there have been a few pictures of Steel Magnolias on Facebook, and I thought, “Hey!” Of course now I can’t find any.  However, here is a picture taken last night during a performance by our awesome sound and light guy, Rick DeJohn.

From left to rght, Kelly Stone as M’Lynn, me as Claree, Kim Darling as Truvy, Cindy Shepherd as Ouiser, and Kara Buttermore as Anelle.

A way better picture was in the post containing the review of us in the Times Telegram.  Unfortunately, I could not download just that photo.  However, if you click on “review,” I have provided a link (I’m not completely technologically illiterate).

Kelly Stone as M’Lynn with Kaylynn Iglesias as Shelby

I realized the first photo did not include the entire cast, so here is a pre-show photo of mother and daughter, showing off the family resemblance.

A great bunch of people to work with!

And here is most of the cast and crew, sharing a toast after final dress rehearsal last week.  I believe we are missing one crew member. I believe she was taking the picture and perhaps prefers to remain anonymous.  I may just have to cast her in a murder mystery or a play (did I say I was never going to direct again?  SAY IT AIN’T SO!) and get a picture of her as a diva actress (I mean that in a fun way, not the sort of diva who only deserves eye-rolls, especially at the community theatre level).

In the meantime, I am over 25o words and I have a show to get ready for!  That’s Steel Magnolias at Ilion Little Theatre.  Visit their website or Facebook page for more information!

 

I Should Be a Movie Star

Why would I not have a Lame Post Friday?  It’s opening night of Steel Magnolias!  I have other things on my mind!  Will I remember everything?  I’m not talking about my lines (although it would be good if I remembered all of those too), but what about my costume pieces, props, ooh, and my contact lenses?  Will my hair stay on?

Ah, you think that last one was a joke?  Alas, no.  In the first scene I have to wear some fake hair, so that in the second scene when Truvy calls attention to my new short hair-do, it makes sense.  I meant to write a whole, humorous blog post about my hair troubles, but I’m afraid if I tried to do it now, it would just make me upset (is that a run-on sentence?  I usually know these things, but I am flustered).

Yes,  I have opening night jitters.  The closer it gets to time to go to the theatre, the more jittery I feel.  This is completely natural.  I bet even Tony award winning actors feel this way.  I say Tony not Oscar, because I can’t imagine movies give you the same jitters.  Just do another take! It is really no wonder that many people feel the stage is real acting and movies are not. Now don’t start defending movies to me!  I love movies!  Of course it is real acting (well, some of it is and some of it sucks, we won’t get into that).  But that lots of takes thing really has my envy tonight.

I’m sure everything will go fine.  And if it does not, well, that is the excitement of live theatre. I’m sure enough will go well to entertain our audience (sometime they are entertained by the mistakes, but we prefer to avoid going that route.  I will probably mention it tomorrow, when I make my Scattered Saturday blog post about how I was too tired after Opening Night to do much of anything.  Happy Friday, everyone.

For local, theatre-going readers,  that’s Steel Magnolias at Ilion Little Theatre, Remington Ave., Ilion, NY, March 3, 4, 10 and 11 at 8 pm., 5 and 12 at 2 p.m.  For more information, visit www.ilionlittletheatre.org or go to their Facebook page.